Monday 5 November 2012

Girugamesh


Mountain Mist- by Kaii Higashiyama, was created with an interesting Japanese aesthetic in mind - Yūgen.

Yūgen / yoo-ghen / n. (Japanese)

An awareness of the universe that triggers emotional responses too deep and mysterious for words.

Yūgen is an interesting concept, it's similar to what we as artists would like to achieve in our work, even though we don't always want the consumer to start having an existential crisis, it shares a similar visceral emotion to immersion, which brings out an individuals introverted intuition, which may be a part of their personality they do not always get in touch with.

Colour has a huge part to play in evoking a visceral reaction, an astronomical amount of humans go about their lives absorbing colour information, but not thinking about what it actually means. The painting above for example, such a limited palette, green - yet you can taste the mist, the fresh damp air, you can smell the trees, hear the waterfall, feel the wet bark under your feet - but it's just a simple painting with one colour, green.

Aliens


How does this make you feel? on Its own, and as far as the colour and composition goes, it probably doesn't create too many emotions, the emotion lies in the context of the image. In my opinion there are two types of immersive visual works, there are pieces that create immersion on a purely visual level, the colours, composition, setting, when a photo or landscape painting is powerful enough to make you feel like you are actually there.

The other type is contextual immersion, which the image above displays, in order to reach immersion (which usually jumps out and pulls you in), you have to consider what the image means, you have to start exploring the implications of the image. This is the Andromeda Galaxy, over 2 million light-years away, and visible to the naked eye under the right conditions, it has 1 trillion stars (That's 1,000,000,000,000!), most of which will have planets, how many of them will be able to sustain life? the answer is simple : loads.

And that's just one galaxy, there are probably as many galaxies as there are stars in a galaxy, what does this have to do with colour? nothing.

Or does it?


Which image do you prefer? WHY? - I prefer the one with colour, but the greyscale image is how we all see the distant universe through a telescope, every image we see of the universe outside of our solar system is "false" colour (sort of, it's actually representative of the physical properties of what we see), but these images are still beautiful, even though they are coloured "scientifically".

Do Astronomers colour the Hubble space telescopes images in order to strategically create mood? no, they do it in order to convey as much scientific information as possible, but we still find them beautiful - because science is nature, and nature is beautiful.

Sunday 4 November 2012

Thorsday


Another image without source, spotted this one to talk about contrast and dominance. this one is hard for me to decide, is it dominated by the blacks in the foreground, the grey/white in the background or the reds at the top? This piece has really nice contrast, a lot of work has gone into the composition, and it clearly represents the battle between good and evil, which is the greatest contrast of them all, an amazing piece of artwork.

Friday 2 November 2012

lts b prtnts


Another random landscape from the bottomless pit of jpegs on my computer, there isn't much to say about this picture but I think it's a great image to show colour domination in nature. I had a look around to check out a few more similar images because there is a lot more out there where a single colour dominates the shot more, but a lot of them have been processed and/or are boring, this shot is interesting and doesn't appear to have been processed at all.

It's a shame about the over-exposed area in the background, but it also works for the image by acting as an white-yellow accent for it, green is the dominant colour, and you have brown and grey/blue as sub-dominant, without the over exposure in the background there would be no accent to give the composition contrast, intended or a happy accident?

Wednesday 31 October 2012

UB40


For my first blog about colour proportion I chose this landscape photo, of unknown origin (from my personal reference). This is a great image in terms of colour balance, it is dominated by greens and blues but has been balanced with post-processing effects in order to bring out the more neutral colours. You could argue that it has had its saturation increased slightly too high. The photographer has obviously tried to push the orange glare of the sun, and the grey/red tone of the mountain rocks as far as possible in order to make the image as interesting as possible, but in my opinion this has brought the greens out slightly too much, carefully desaturating the greens would bring this image into harmony.

Wednesday 24 October 2012

Green ring


This is an unknown piece of artwork from my collection, it kind of looks like kekai kotaki, so it might be him, I do have a lot of his artwork. This piece is nice because the saturation really brings the image out, the composition is arrange in a way to make the subject loom over you and appear dominant. The use of saturation supports this along with the strong contrast.

Saturday 20 October 2012

Cool post title #7


So I have no idea where this image came from, found it amongst my huge art reference collection, what I enjoy about this is the limited palette and the composition itself. Artwork like this shows you that you don't HAVE to go crazy with colours to have a piece that really works.

With this particular image it's all about your eyes being drawn towards the saturated parts, you instantly look at the creatures face, his eyes and his mouth are glowing, you then follow down his back, and then over his right arm, which is currently engaged in killing humans.

This image shows how saturation can be used to direct a viewers eyes to important parts of the artwork.